摘 要
罗格-格里耶作为新小说派代表作家，其作品中物化现象引人瞩目。本研究基于现象学与符号学理论视角，深入剖析罗格-格里耶小说中的物化特征及其叙事意义，旨在揭示作者如何通过物象构建独特的文学空间。通过对《橡皮》《窥视者》等代表性作品的文本细读，发现作者刻意弱化人物主体性，强化物体存在感，形成一种“去人性化”的叙事风格。研究指出，这种物化表达不仅体现了现代主义对传统叙事模式的突破，更反映了当代社会中个体异化的深层焦虑。本文创新性地将物转向理论应用于文学批评领域，提出“物叙事”概念，为理解新小说派提供全新视角。研究结果表明，罗格-格里耶通过对物体细致入微的描写，重构了读者的认知方式，使读者在阅读过程中重新审视人与物、主体与客体之间的关系，进而引发对现代社会本质的深刻思考。这一研究丰富了新小说派的理论体系，为后续相关研究提供了有益参考。
关键词：物化现象；新小说派；罗格·格里耶
Abstract
Alain Robbe-Grillet, as a representative writer of the nouveau roman movement, has garnered significant attention for the ob jectification phenomena in his works. This study, grounded in phenomenological and semiotic theoretical perspectives, delves into the characteristics of ob jectification and its narrative significance in Robbe-Grillet’s novels, aiming to reveal how the author constructs a unique literary space through ob ject imagery. Through close readings of representative works such as "La Jalousie" and "Le Voyeur," it is observed that the author deliberately diminishes the subjectivity of characters while enhancing the presence of ob jects, thereby forming a depersonalized narrative style. The study argues that this mode of ob jectification not only signifies modernism’s departure from traditional narrative patterns but also reflects deeper anxieties about individual alienation in contemporary society. Innovatively applying the theory of the “ob ject turn” to literary criticism, this paper introduces the concept of “ob ject-oriented narration,” offering a new perspective on understanding the nouveau roman. The findings indicate that Robbe-Grillet’s meticulous depiction of ob jects reconstructs the reader’s cognitive fr amework, prompting a reevaluation of the relationships between humans and ob jects, subjects and ob jects, and ultimately fostering profound reflections on the essence of modern society. This research enriches the theoretical fr amework of the nouveau roman and provides valuable insights for future studies in this field.
Keywords: Reification Phenomenon；Nouveau Roman School；Alain Robbe-Grillet
引言 1
一、罗格-格里耶小说物化现象概述 1
(一)物化概念的界定 1
(二)小说中物化的表现形式 2
(三)物化与叙事结构的关系 2
二、物化在人物塑造中的作用 3
(一)人物身份的物化呈现 3
(二)物化对人物心理的影响 3
(三)物化与人物关系的构建 4
三、物化与空间描写的关系 4
(一)空间物化的具体体现 5
(二)物化空间的情感氛围 5
(三)物化空间对情节发展的作用 6
四、物化主题的哲学思考 6
(一)物化背后的哲学意蕴 6
(二)物化与存在主义的关联 7
(三)物化对现代社会的启示 7
结论 8
参考文献 9
致谢 9
