摘 要
中国古代小说作为中华文化的重要组成部分,蕴含了丰富的叙事技巧,其研究不仅有助于理解文学传统,还能揭示古代社会的文化心理与审美特征。本研究旨在系统探讨中国古代小说中的叙事技巧及其演变规律,通过梳理从魏晋志怪到明清章回小说的叙事发展历程,分析其中的叙述视角、时间结构和情节构建等核心要素。研究采用文本细读与比较分析相结合的方法,选取《三国演义》《红楼梦》等经典作品为案例,深入剖析作者如何运用多重视角、交错时空及隐喻象征等手法增强叙事效果。结果表明,中国古代小说在叙事上具有高度的艺术性和灵活性,尤其在叙述视角转换和情节悬念设置方面展现出独特的创新性。此外,研究发现古代小说家善于将历史事件与虚构情节巧妙融合,形成“虚实相生”的叙事模式,这一特点对后世文学创作产生了深远影响。本研究的主要贡献在于首次提出“叙事文化圈”概念,强调叙事技巧与中国传统文化的内在关联,并为跨文化叙事研究提供了新的理论框架,同时为当代文学创作提供了有益借鉴。
关键词:叙事技巧;中国古代小说;叙述视角;虚实相生;叙事文化圈
Abstract
Chinese ancient novels, as an integral part of Chinese culture, embody rich narrative techniques. Their study not only contributes to the understanding of literary traditions but also reveals the cultural psychology and aesthetic characteristics of ancient society. This research aims to systematically explore the narrative techniques and their evolutionary patterns in Chinese ancient novels by tracing the narrative development from the strange tales of the Wei-Jin period to the episodic novels of the Ming-Qing dynasties, with a focus on core elements such as narrative perspective, temporal structure, and plot construction. The study employs a combination of close reading and comparative analysis, selecting classic works like Romance of the Three Kingdoms and Dream of the Red Chamber as case studies to analyze how authors enhance narrative effects through the use of multiple perspectives, interwoven timelines, and me taphorical symbolism. The findings indicate that Chinese ancient novels exhibit a high degree of artistic sophistication and flexibility in narration, particularly in the innovative handling of perspective shifts and suspense creation. Additionally, it is discovered that ancient novelists skillfully integrated historical events with fictional narratives, forming a "mutual generation of reality and fiction" narrative model that profoundly influenced subsequent literary creation. A key contribution of this research is the first-time proposal of the concept of "narrative cultural circle," which emphasizes the intrinsic connection between narrative techniques and traditional Chinese culture while providing a new theoretical fr amework for cross-cultural narrative studies. Furthermore, this research offers valuable insights for contemporary literary creation.
Keywords:Narrative Techniques;Chinese Ancient Novels;Narrative Perspective;Interplay Of Reality And Illusion;Narrative Cultural Sphere
目 录
第一章 绪论 1
1.1 研究背景与意义 1
1.2 国内外研究现状综述 1
1.3 研究方法与理论框架 2
第二章 叙事视角的多样性分析 3
2.1 全知视角的应用特点 3
2.2 限知视角的表现形式 3
2.3 多重叙事视角的转换技巧 4
第三章 时间与空间的叙事策略 6
3.1 时间顺序的灵活运用 6
3.2 空间布局的叙事功能 6
3.3 时空交错的叙事效果 7
第四章 人物塑造与情节推进的艺术 9
4.1 对话在叙事中的作用 9
4.2 心理描写对情节的影响 9
4.3 悬念设置与叙事节奏的把控 10
结 论 11
参考文献 12
致 谢 13