摘 要：卞之琳作为中国现代主义诗歌的重要代表，其诗歌创作呈现出独特的非个人化倾向。本研究基于形式主义与结构主义理论视角，结合文本细读法，深入探讨卞之琳诗歌中非个人化特征的形成机制及其美学价值。通过对《断章》《距离的组织》等代表性作品的分析，发现诗人通过意象组合、叙事视角转换和语言陌生化等手法，成功实现了主体意识的淡化和个人情感的克制。研究表明，这种非个人化倾向不仅体现了诗人对传统抒情模式的突破，更反映了其对现代性困境的深刻思考。研究指出，卞之琳的诗歌实践为理解中国现代诗歌发展提供了新的维度，尤其在处理个体经验与普遍人性的关系方面具有重要启示意义。本研究创新性地将非个人化理论引入中国现代诗歌研究领域，丰富了相关学术话语体系，为后续研究奠定了理论基础。
关键词：卞之琳；非个人化；现代主义诗歌
Abstract：As a significant representative of modernist poetry in China, Bian Zhilin's poetic creation exhibits a distinctive tendency towards impersonalization. This study, grounded in formalist and structuralist theoretical perspectives and employing close reading methods, delves into the formation mechanism and aesthetic value of the impersonal characteristics in Bian Zhilin's poetry. Through the analysis of representative works such as "Fragment" and "The Organization of Distance," it is found that the poet achieves the dilution of subjective consciousness and restraint of personal emotions through techniques like imagery combination, shifts in narrative perspective, and linguistic defamiliarization. The research demonstrates that this impersonal inclination not only signifies the poet's breakthrough from traditional lyric modes but also reflects his profound contemplation on the dilemmas of modernity. It is indicated that Bian Zhilin's poetic practice offers new dimensions for understanding the development of modern Chinese poetry, particularly in addressing the relationship between individual experience and universal humanity. Innovatively introducing the theory of impersonalization into the field of modern Chinese poetry studies, this research enriches the relevant academic discourse system and lays a theoretical foundation for subsequent studies.
引言 1
一、卞之琳非个人化倾向的理论基础 1
(一)西方现代主义的影响 1
(二)中国古典诗歌的传承 2
(三)非个人化理论的内涵 2
二、卞之琳诗歌中的意象构建 3
(一)意象的选择与组合 3
(二)客观对应物的运用 4
(三)意象的情感疏离 4
三、卞之琳诗歌的语言特征 5
(一)冷静客观的叙述语调 5
(二)精炼含蓄的语言表达 5
(三)语言形式的规范性 6
四、卞之琳诗歌的主题呈现 6
(一)日常生活的诗化处理 6
(二)个体经验的普遍化 7
(三)历史与现实的交织 7
结论 8
参考文献 10
致谢 10
关键词：卞之琳；非个人化；现代主义诗歌
Abstract：As a significant representative of modernist poetry in China, Bian Zhilin's poetic creation exhibits a distinctive tendency towards impersonalization. This study, grounded in formalist and structuralist theoretical perspectives and employing close reading methods, delves into the formation mechanism and aesthetic value of the impersonal characteristics in Bian Zhilin's poetry. Through the analysis of representative works such as "Fragment" and "The Organization of Distance," it is found that the poet achieves the dilution of subjective consciousness and restraint of personal emotions through techniques like imagery combination, shifts in narrative perspective, and linguistic defamiliarization. The research demonstrates that this impersonal inclination not only signifies the poet's breakthrough from traditional lyric modes but also reflects his profound contemplation on the dilemmas of modernity. It is indicated that Bian Zhilin's poetic practice offers new dimensions for understanding the development of modern Chinese poetry, particularly in addressing the relationship between individual experience and universal humanity. Innovatively introducing the theory of impersonalization into the field of modern Chinese poetry studies, this research enriches the relevant academic discourse system and lays a theoretical foundation for subsequent studies.
Keywords: Bian Zilin；Non-Personalization；Modernist Poetry
引言 1
一、卞之琳非个人化倾向的理论基础 1
(一)西方现代主义的影响 1
(二)中国古典诗歌的传承 2
(三)非个人化理论的内涵 2
二、卞之琳诗歌中的意象构建 3
(一)意象的选择与组合 3
(二)客观对应物的运用 4
(三)意象的情感疏离 4
三、卞之琳诗歌的语言特征 5
(一)冷静客观的叙述语调 5
(二)精炼含蓄的语言表达 5
(三)语言形式的规范性 6
四、卞之琳诗歌的主题呈现 6
(一)日常生活的诗化处理 6
(二)个体经验的普遍化 7
(三)历史与现实的交织 7
结论 8
参考文献 10
致谢 10
