摘 要
戴望舒作为中国现代诗坛的重要诗人，其诗作在20世纪中国文学史上占据独特地位。本研究旨在深入剖析戴望舒诗作的审美品格，以期揭示其诗歌艺术的独特价值与美学意义。通过对戴望舒所处时代背景及其个人经历的考察，结合文本细读与比较研究的方法，着重探讨了其诗作中象征主义手法的运用、意象构建的独特性以及情感表达的内敛特征。研究发现，戴望舒的诗作不仅继承了中国传统诗歌的抒情传统，更融入了西方现代主义诗歌的表现手法，形成了独特的“雨巷”式美学风格。这种风格既体现了诗人对个体生命体验的深刻洞察，也反映了他对时代精神的敏锐捕捉。通过对《雨巷》《我用残损的手掌》等代表性作品的分析，本文揭示了戴望舒诗作中蕴含的悲剧意识与理想追求之间的张力关系，展现了其诗歌在形式与内容上的双重创新。
关键词：戴望舒 象征主义 意象构建
Abstract
As an important poet in the modern Chinese poetry circle, Dai Wangshu's poems occupy a unique position in the history of Chinese literature in the 20th century. This study aims to deeply analyze the aesthetic character of Dai Wangshu's poems in order to reveal the unique value and aesthetic significance of his poetic art. Through the investigation of dai Wangshu's historical background and personal experience, combined with the methods of text reading and comparative study, it focuses on the use of symbolism, the uniqueness of image construction and the introverted characteristics of emotional ex pression in his poems. The study shows that Dai Wangshu's poems not only inherit the lyric tradition of traditional Chinese poetry, but also integrate the ex pression techniques of western modernist poetry, forming a unique aesthetic style of "the lane in the rain" style. This style can not only reflect the poet's profound insight into the individual life experience, but also reflect his keen capture of the zeitgeist. Through the analysis of representative works such as A Lane in the Rain and I Use a Lost Palm, this paper reveals the tension between the tragic consciousness and the ideal pursuit contained in Dai Wangshu's poems, and shows the double innovation of his poetry in form and content.
Keyword:Dai Wangshu Symbolism Imagery Construction
目 录
1绪论 1
1.1研究背景与意义 1
1.2国内外研究现状综述 1
1.3研究方法与思路 1
2戴望舒诗作的意象审美 2
2.1意象的选择与构建 2
2.2意象的情感表达 3
2.3意象的象征意义 3
3戴望舒诗作的语言美学 4
3.1语言的独特性分析 4
3.2词汇的选择与运用 4
3.3句式的创新与美感 5
4戴望舒诗作的意境营造 5
4.1意境的形成要素 5
4.2意境的情感氛围 6
4.3意境的艺术效果 7
结论 7
参考文献 9
致谢 10
戴望舒作为中国现代诗坛的重要诗人，其诗作在20世纪中国文学史上占据独特地位。本研究旨在深入剖析戴望舒诗作的审美品格，以期揭示其诗歌艺术的独特价值与美学意义。通过对戴望舒所处时代背景及其个人经历的考察，结合文本细读与比较研究的方法，着重探讨了其诗作中象征主义手法的运用、意象构建的独特性以及情感表达的内敛特征。研究发现，戴望舒的诗作不仅继承了中国传统诗歌的抒情传统，更融入了西方现代主义诗歌的表现手法，形成了独特的“雨巷”式美学风格。这种风格既体现了诗人对个体生命体验的深刻洞察，也反映了他对时代精神的敏锐捕捉。通过对《雨巷》《我用残损的手掌》等代表性作品的分析，本文揭示了戴望舒诗作中蕴含的悲剧意识与理想追求之间的张力关系，展现了其诗歌在形式与内容上的双重创新。
关键词：戴望舒 象征主义 意象构建
Abstract
As an important poet in the modern Chinese poetry circle, Dai Wangshu's poems occupy a unique position in the history of Chinese literature in the 20th century. This study aims to deeply analyze the aesthetic character of Dai Wangshu's poems in order to reveal the unique value and aesthetic significance of his poetic art. Through the investigation of dai Wangshu's historical background and personal experience, combined with the methods of text reading and comparative study, it focuses on the use of symbolism, the uniqueness of image construction and the introverted characteristics of emotional ex pression in his poems. The study shows that Dai Wangshu's poems not only inherit the lyric tradition of traditional Chinese poetry, but also integrate the ex pression techniques of western modernist poetry, forming a unique aesthetic style of "the lane in the rain" style. This style can not only reflect the poet's profound insight into the individual life experience, but also reflect his keen capture of the zeitgeist. Through the analysis of representative works such as A Lane in the Rain and I Use a Lost Palm, this paper reveals the tension between the tragic consciousness and the ideal pursuit contained in Dai Wangshu's poems, and shows the double innovation of his poetry in form and content.
Keyword:Dai Wangshu Symbolism Imagery Construction
目 录
1绪论 1
1.1研究背景与意义 1
1.2国内外研究现状综述 1
1.3研究方法与思路 1
2戴望舒诗作的意象审美 2
2.1意象的选择与构建 2
2.2意象的情感表达 3
2.3意象的象征意义 3
3戴望舒诗作的语言美学 4
3.1语言的独特性分析 4
3.2词汇的选择与运用 4
3.3句式的创新与美感 5
4戴望舒诗作的意境营造 5
4.1意境的形成要素 5
4.2意境的情感氛围 6
4.3意境的艺术效果 7
结论 7
参考文献 9
致谢 10
